My Clarity Groovi pictures

A little while ago, Barbara Gray challenged those of us who already had the Groovi Starter kit to create cards that could be shown on Hochanda whenever she was using the kit.  For those who are now totally confused, Hochanda is a fairly new crafting shopping channel where you can watch loads of demonstrations from experienced and talented crafters.  The Groovi system from Clarity is a way for anyone to dip their toe into the beautiful art of parchment work

Like many others, I sent off a few cards for use on the programmes.  I was very happy when three of mine were shown on what turned out to be a really incredible weekend of sellouts.  This was the first one and is actually my favourite.  Reflections on parchment do take a little thought to get it all the right way round so I was pleased when I decided I had it right.

My second one was just a use of the landscape plate which comes as part of the Groovi Starter Kit, including the word boxes and the letters on the main Plate Mate.

My third one for now is a much smaller piece (a 6x6 card) and again uses only whatever comes with the Starter Kit.  The little house is just drawn using one of the straight lines on the landscape plate.  It was originally intended to just have a path to the edge of the lake, but I was not concentrating properly and went too far with one of the lines.  There was a fair bit of muttering went on there as it was the last bit of outlining I needed to do.  I left it for a while and then realised that I could use the same straight line and create a small jetty out into the lake.

All three of these pieces of parchment were mounted onto mirri card of different colours to reflect the colours back and intensify them.  The second and third one were also mounted using a corner punch.  You can, very rarely, use any form of glue on the back of parchment as it shows through, so brads or corner punches are a good alternative.  The first one, the reflections, was simply folded round the mirri card and glued at the back.

After doing the embossing on the back of each one, I added colour using soft waxy pencils, which are perfect.  My favourites are Caran D'Dache, but Fabel Castell are also excellent.  If you want a more modest priced set, Derwent also do a very good range and can be bought singly if you wish.

Hope you like these, and if you fancy having a go at this ancient craft, just have a go with the Clarity Groovi system, which cuts out the slow and laborious job of tracing the line art at the start.

Sad to Happy-ish

Last night, I decided to have a play, mixing stamps on a bought paper, which was very pretty.  I don't usually buy papers as I prefer to create my own backgrounds, but I wanted these for a particular purpose.  Then, of course, I was left with a load of papers that I did not know how to use.

I did a class earlier this year with the lovely Maria Simms, where we were using bought papers combined with stamps and gilding flakes, which gave me some ideas.  I also did another class last year with Sally-Ann Moore and Kim Shaw, who were also giving us ideas of what to do with unwanted papers.

So, I grabbed a sheet of paper from the book last night and just went with the stamps I already had on my table and got to work (play).  Just stamping the flowers and colouring them definitely did not work and I went to bed thinking "Oh well, it is only a piece of paper and I learned that it did not work like that."  However, in the morning, I had another look and decided to add a watercolour wash over the whole piece to see what happened.  I used my new favourite pens, the Sakura Koi Brush Pens, which are so beautiful to use and the colours are so lush, and these two were the results.

This first one used a Tim Holtz stamp, which I stamped with Archival Black and coloured with the Sakura pens and the blender.  All the birds and flowers at the top are shiny and part of the original paper.  I used the same colour for the wash as I had used to colour in the flowers, and applied it from the pens with a waterbrush, and aimed for the random application with no harsh lines.  You cannot see it but I also added some clear Wink of Stella on the main flowers and dotted it around in the background.  The Wink of Stella are lovely for adding some subtle glitter.

This was the second piece and the flowers here are from the Clarity range and are the Shepherd's Purse, designed by Mandy Branston.  I used exactly the same techniques on this one, just a different colour.

From something that was only fit for the bin, I am quite pleased with these results of a bit of experimentation.

Barbara Gray's Calendar Challenge for February

How many of you have bought Barbara Gray's beautiful calendar for this year, I wonder.  Not only is it a lovely calendar in its own right, but it also contains step by step instructions on how to complete each piece of art.  So Barbara has challenged us all to follow those instructions and recreate her masterpieces.

This is my entry for February.  We started with four distress re-inkers and a tray of cheap shaving foam (the cheaper ones work better).  A few drops of each colour into the foam and swirled around gives the printing surface.  Dropping the card onto the inky surface and twisting a little gives a different result each time.  I have a cheap child's plastic ruler with which to scrape off the excess foam to reveal the inky surface below.

 I had about a dozen sheets of card when I had finished (I had run out of space round the kitchen to dry the cards), but only this one spoke to me for this project.  The idea is to look at your background to see what you can see there.  The stamp used is a favourite of Barbara's.

To me, this was inside a cave with rushing streams running through it and then out of the exit on the right on the card.  I used Faber Castell polychromos and a black micron pen to enhance the background to try to bring out what I could see.

You will probably see something completely different to my ideas, but that is fine.  We are all different.

Why don't you all have a go at this challenge?  It is all good fun.

Playing today with new pens.

Two very different projects, both coloured with my new pens, the Sakura Koi Brush Pens. I really like them.   I had watched Sarah Hurley demoing with them on Hochanda on Wednesday, and they arrived, beautifully packaged on Friday morning, pretty good service.

The first one with the butterflies was done on the watercolour journal that came with the pens. I deliberately limited my colours for this one, and concentrated on shading. The stamps are Clarity butterflies, and include the montage and the single butterfly from the centre.  I also used a couple of stencils for the background, including the Clarity butterfly.

The main stamped images were just coloured simply with the pens,direct to paper, but I loved how easily the pink and the yellow blended with no hassle at all.

The background is a combination of working through stencils, using coloured kitchen roll stuffed into the water brush to create a softer blend of the same colour (tip from Sarah Hurley), and also painting the stamps with the pen and then stamping into the background.

 

This pink butterfly was allowed to dry between applications of the pens, and then further colour added and that gave me quite different blends of the same colour.

This is the very first journal page I have ever done and although it was fairly simple, I am quite pleased with the result, and it has given me loads of ideas for playing more with these brushes.  Watch this space.

My second experiment was using them on parchment.  The image used here is actually  from PCA (Parchment Craft Australia), I think, and had been sitting waiting for inspiration on how to colour it.  So I decided to sacrifice it to experimentation and I was pleased with the result.

All the colour on this came from direct application on the back with the new pens.  Again, the shading was just done by allowing the ink to dry between applications, and it worked very well.

You can see the depth of colour better on the lilies on this close up.  I am sure I could have taken it further and got even more  depth of shading.

The water was created just by randomly dabbing the colour, leaving white spaces - no real technique there.

The set of pens came with a blender too, although I have not used that yet.  Sarah Hurley was also using a spritzer with coloured kitchen roll (do not rub the pen onto the kitchen roll - just roll the nib around the scrap of paper) which she then rolled up and put into the water filled spritzer.  Another technique I need to try.  I am sure that this would work well with other water based pens but I do like the large brush nib on these pens.

Clarity Stamp Challenge No 36 - Love

After my panic last month, getting my entry in at the very last minute, I am trying to be more organised in February.  This is quite a mixed card, with stamping and parchment together.  

I started with one of my mop up sheets (mopping up left over inks off the blending mat) and stamped the Clarity garden heart at an angle in the middle.  Then I traced the whole thing onto parchment and embossed it.  I coloured the image on the card and then enhanced it by colouring the back of the parchment to blend with the embossing.  I also did add black to the front of the parchment to make the birds stand out more.

The final enhancement was to go right round the whole image on the front to make it stand out more, using a dark blue pencil, to try to make it look as though it was padded.  I used black card for the matting and layering as well as another mop up sheet with similar colouring before adding the ribbon on two corners.

Getting the ribbon from my local craft shop, Pink Tulip at Studley (so helpful and friendly) actually saved me a lot of money in a strange way.  When I got back from that very short journey, I realised that one wheel on the motor was very hot, so that was an emergency trip to the local Land Rover specialist.  The calipers on that wheel has seized, but fortunately I had taken it in just in time to avoid very expensive damage to the discs.  Job now done and vehicle back home.  Just in time to do the much longer and potentially what could have been a very damaging journey to Maria's class.

Clarity Stamp challenges for January - "Say it with flowers" and Barbara's Calendar Challenge - "A New Day is Dawning"

The main Clarity Challenge for January is "Say it with Flowers".  This is a design I have played with before but it is always such a fresh design with loads of white space.  For those who want to know, it is a one layer card.  

The first thing is to lay two pieces of masking tape across the card, and make sure you can keep the top and bottom completely protected from any ink.  Then ink up your chosen design and stamp it randomly between the two pieces of tape.  

Remove the tape and use a thin black pen to draw lines to enclose your design, either with a ruler or freehand, whichever is easier for you.  Then colour in the flowers with coloured pencils.

The sentiment is overstamped, first in black and then slightly offset in colour to give a shadow.

******************

The second challenge is one from Barbara herself, to recreate this month's picture from her calendar.  January's design is a reflection technique, using the Gelli Plate to stamp the reflection itself.  Rather than go into how to achieve it, I would rather refer you to Barbara's own instructions on the calendar, or her YouTube videos.

I was short of one stamp, as you might see, the birds in flight, so I drew those in with a dark pencil crayon.  When I trimmed the large piece down I turned the offcut into a potential tag, drawing the birds in again.  After brushing brown and grey ink around the edges to make a vignette, I liked the effect of mounting it direct on the base card, rather than hunting for another piece of card to fit. 

 

I do not like throwing card away so this seemed a good use of this small piece.

What's On Your Workdesk Wednesday 346

This is only my second blog this year, which is dreadful, and I am very late today.  For those who do not know what WOYWW is all about, I shall refer you to our esteemed leader, Julia, at her Stamping Ground blog.  As I am working on my Kindle tonight, I cannot add the link, but it is easy to find on Google.

My table today is all about a new challenge using the Groovi Plate Starter Kit, which I will talk about more when I have finished my entry.

You may also see the remains of my teatime smoother, which contained a banana, an apple, a large pear, cucumber, ginger, basil and carrot.  This is all part of my 28 days of juicing.  I have lost over 10lb in just over a week, so that is a good start, and I have gone right off things like chocolate and cake etc.

At the back you might also notice a part completed card.  It is holding flakes through a tree stencil onto double sided adhesive sheets.  Beautifully sparkly and very easy and quick to do.

I will leave it here and hope to visit as many of our other dealers as this week progresses.  Have a healthy and happy week.

Happy New Year - my first completed card of 2016

After watching Barbara Gray working with double sided adhesive sheets, gliding flakes and stencils, I found a few minutes to play.  This is the result, using the tree stencil from Clarity.

Ingredients:
Clarity stencil
Sheet of double sided adhesive
Gliding flakes -Pirate Treasure and Gold
Clarity stencil/Gelli card
Brown card for mounting

Place a piece of double sided adhesive sheet on the stencil card and smooth down firmly.  Remove the second piece of waxed paper from the adhesive and position your stencil as you wish.  Add gliding flakes and smooth them into all the sticky sections.  I used a mixture of the two colours to try to get some kind of sharing in the landscape.

Use the sanding block to remove all the excess gliding flakes and put them back into a tub for future use.  Then carefully remove the stencil slowly to avoid damage to the stencil.  Brush baby powder into all the sticky areas left from under the stencil.  Give the whole thing another good rub done to burnish it.

It looks good then but you can add more definition and depth if you highlight parts with a coloured pencil.  I used a dark grey and added shade on one side only of each tree and branch.  With this lovely treescape stencil, it is necessary to work out which branch belongs to which tree and highlight to show that.

I also added marks down the trunks and along the branches to give more depth.  It worked well as I found that the pencil on top of the baby powder naturally gave me the slightly scratchy marks I really wanted.

When it came to mounting it, I found that the dark brown worked better than black, giving a warmer feel and blending better with the building flakes.

If you try this technique, choose your stencil carefully,  I found the more open stencil of the treescape easier to remove than those with a wider framework.  The other major point to remember is to remove all droughts and don't sneeze or breathe on the gliding flakes.

Have a Happy New Year, all of you, and I look forward to seeing what you all get up to in 2016.

ClarityStamp Challenge for December 2015 - No 34

Why don't I listen to Barbara shouting at me?  Why do I go just that little bit too far and then wreck it?

I had started off yesterday with the stencil of the dreamcatcher and transferred that to the parchment, and done all the embossing on that.  All I had to do yesterday was to put the faces from the mother and child into the central aperture.  Easy peasy, no problem at all!

No, there was no problem here, just a little more whitework to do on that central  section.  A little patience and care to avoid puncturing the parchment.

There was no problem even after I had cut out between the lines of the dreamcatcher.  A bit fiddly, but a pleasant relaxing thing to do in front of the TV.  Almost there.

I added a few little star centres off one of the snowflake plates.  Then I decided it needed a little more work so I got out the diagonal pricking plate and set to work.  Still ok at this point.  Then I thought I would be clever and do a bit more cut out work in a pattern.  I really should have listened to Barbara at that point.  She really was shouting at me by then.

Now it went wrong - BIGTIME!!!!!!

Now what to do.  Do I throw it all in the bin and start from scratch or just give up?  If you know me, you will already know that I do not like being beaten, so a bit of thought and out came my scissors, ordinary and parchment.    I cut out the whole of the dreamcatcher with its feathers and the four little stars.  I also snipped out the thin frame  found a piece of pale blue shiny paper, cut a piece of blank parchment to match it.   The parchment was laid over the blue and glued together, with the frame over the top.  Because the frame was embossed and coloured, the glue was hidden.

The final part was to glue the pieces on to the parchment within the frame and stick the whole thing under a weight to keep them in place until the glue was dry.  Here is the final result which is my entry into the ClarityStamp Challenge for this month. 

My choice of the stencil and the Groovi plate was dictated by something I used to read to the chldren in my classes years ago, which they loved.  It was the story of the Creation, told by one of the native American tribes.  Hence the dreamcatcher.  I just combined it with the Madonna and Child, which brings back memories from travelling with my parents in Italy, where we saw the Pieta in St Peter's in Rome.  It was a combination of different beliefs and just seemed to fit the times we are living in these days.

I hope you understand my thinking and like the result.

WOYWW 338

My desk this week is alternating between things I am doing, but cannot show, and all the things I bought at the NEC.   Why am I showing you these?  Well, it is all in the title of this post.  It is What's On Your Workdesk Wednesday, when we all join with the lovely Julia to show what we are doing.

Rather late as the show was the beginning of the month, but this is what I gathered from the NEC.   I suspect no-one will be very surprised to see that  pretty well all my goodies came from the Clarity stand.  There are a couple of other things but I cannot show them now as they are for presents.  I also stocked up on base cards which were good value.

They are all out on my table ready to find their permanent homes.

They are all sitting on my newest acquisition, the Best Ever Craft Mat from Ken Oliver.  I love it as things do not slide  on it and it stays put on the table.

I love this little set of stamps, perfect for simple clean type cards.

 

My collection of these chalk paints is growing and I shall soon need another storage box for them. 

 The re-inkers were on special offer with a free stencil as well, so it would have been rude to miss out, now wouldn't it?

My choice of stencil was down to the fact that my star stencil had been so badly chewed by a thieving little dog.  Surprisingly, I have just got that one out from under the heavy weights on top and it is back to being usable

This was what it looked like a few weeks ago, and now it is flat and ready for use.  So while I can see it still in one piece, I will leave you in Julia's capable hands and go and get inky with it right now.  Have a good week, everyone.

WOYWW - 334

Well, it is still Wednesday - just!  I had good resolutions to post early today, but I overslept and then got involved in watching Hochanda with Barbara Gray demoing the Groovi system.  In between, you can see the other project I have on the go at the moment.  

Definitely not as clean as the parchment but it has to be done.  These are fabulous mdf lanterns produced by Roy at Candy Box Crafts, and are intended as presents for Christmas.  I am still in the process of applying black Gesso to all parts before decorating.  I cannot do it all in one go as I am getting very black.  I also need to do the whole of the inside before attaching the tops to the main sections.

The second shot does show that I have been painting today.  Once that is all done, then I need to work out how best to decorate it, all ready to take the battery candles.

It has been a long time since I blogged.  Wednesdays seem to vanish so fast this year and I cannot believe we are so close to that word beginning with C.  I have also had quite a large number of projects that had to be completed in a rush.

I hope to get round as many of you as possible this week.  Thank you to Julia for being our friendly hostess for so many weeks.

Clarity Stamp Challenge 30 - Bingo!

When I first saw this challenge, my reaction was "what on earth"!  Then after reading the rules, I knew what I was aiming at and roughly what I was going to do.  All I had to decide was which line I was going to use.  My choice was straight across the centre - Stencil, Stamp, and Grunge Paste.

I chose to use the new stencil created for the Retreats this year, the Wee Fairies as my stamps, and Grunge Paste.  However, I wanted to add a twist of trying to get all this onto parchment.  This is the result.

I started with just a simple piece of parchment and drew the stencil through it to place the image in the right place.  The Wee Fairies were stamped onto old tracing paper and then flipped over so that I could trace them through on to the parchment, just where I wanted them.  I added a third sunflower to try for a bit of perspective.  I did most of the embossing before I pushed the Grunge Paste through the stencil.  I would have liked the paste to have been a little smoother, but then I got over that bit as it was "Grunge" after all.  The three sunflowers were painted with Fresco chalk paints, and the gaps in the stems were embossed on the parchment.

 

 The fairies took a long time to emboss on the parchment because I needed them to be as white as I could get them, and that can only be done by doing a little at a time and letting it rest before repeating the process.  I wanted them to look as ghostly and ethereal as I could get, so I spent about two weeks, just going back each day and doing a bit more until I got to the point where I felt that the parchment would give way if I pushed it any further.   You might also notice one or two elements from one of the Groovi plates.

I drew the hills in freehand and then coloured from the back using pastels.  Trying to keep the colour off the fairies was quite hard and also the shading of the sun/moon (your choice).

Attaching the final piece to the canvas board was complicated and involved some glue, all behind the Grunge Paste  but I also used the photo corner punch and mounted it on dark brown card.  I chose Smurf Fresco paint to colour the canvas board and attached everything with super sticky red tape.

I actually finished this a week ago, but was deliberating whether to add more paint as it looked a bit rough, but then I got over that too and left it grungy.  This is probably as grungy as I am comfortable with so I hope it all fits with the brief.  I had fun doing it anyway.

Lovely Inky Painty day

This is the results of my efforts at Pink Tulip Creations Ltd​ at Studley yesterday.  It was good to meet up with Hazel Edwards​ and Christine Birch for the first time, so thank you for your company ladies.  Roy from Candy Box Crafts Ltd​ was our leader for the day, teaching us how to assemble the box to begin with.  That was a real achievement for me as I am not good with 3D crafting, but it worked this time and is still in one piece, something of a record for me.

While the glue was setting and the black paint was drying, Roy took us on to the next step, teaching us techniques for decorating the box, by making a card in the same way, using lovely inky painty goodies - Fresco paints, Dylusion Sprays, Gesso and spritzers and stencils of our choice.  You might be able to see the latest Claritystamp​ club stencil in the background on the card together with a Clarity butterfly and the Visible Image butterfly.  This card is definitely not my usual style but I love the techniques and the resulting card is growing on me. 

Roy had very kindly cut all the panels we needed for the box, which definitely reduced my stress levels.  Although I used most of the same techniques on the box panels, I did change the first stage.  Instead of putting the Fresco through a stencil, I actually excavated my brayer and walked the brayer across each piece.  Because my brayer has not been cleaned through several sessions, it now has a lovely texture on it and it really worked so well - well, I thought it did anyway.

Then I sprayed the Dylusions through my Clarity Jo's Bubbles stencil.  I used just two colours this time, purple and pink.  This is where the texture of the Fresco paints really worked will, resisting the inks perfectly

 

Then we used our own choice of stamps.  I used the words from the Clarity Journalling set in Dusty Concord, before adding some of the Word Chains in Versafine to finish off.

 

If you want to see the array of different creations from everyone yesterday, just go to Pink Tulip on Facebook.  Every one was different, just as they should be.  I do want to seal the surface now to protect it and make it easier to dust, and then I shall have to make another one, I think.

However, in the meantime, my craft area is an ink free zone as I am desperately trying to finish off a parchment piece, which is largely whitework and I definitely would cry if I got any ink on that.  More of that piece on a later blog, once it is finished and delivered.

Thanks again to all the ladies at Pink Tulip Creations Ltd for organising the day and for the cups of tea etc, and to Roy of Candy Box Crafts Ltd for his teaching and his beautifully created boxes.  His work is second to none, very meticulous and perfectly engineered to fit together.

WOYWW 323 - Another week has vanished in a flash,

It has been a while since I joined in with the wonderful Wednesday blog hop that is WOYWW, hosted by the lovely Julia at Stamping Ground.  Life has been somewhat hectic of late and I feel it is unfair to expect people to leave me comments when I know I do not have enough time to return the compliment.  I have been popping in and out to see what has been going on.

This is quite a photo heavy post today.  I am deeply addicted to parchment work at the moment.  It is something I have loved for a while, but the addiction has grown recently.  Many of you will know that I am also addicted to anything from Clarity Stamps and Barbara Gray.

 

They have recently brought out a revolutionary parchment kit, called the Groovi Plate, which enables total beginners to produce beautiful work within hours,  I already have most of the kit, but you can see my latest additions to my collection of plates.

My  other addiction, which has been a lifetime one, is for pencil crayons.  I now possess four complete sets from different companies, starting with my beloved Derwent.  That is in addition to all the watercolour pencils and pastels etc.

The box you can see here is one of my new acquisitions, the complete set of Caran D'Ache, which are Swiss, and totally luscious.  They are so smooth and easy to blend which makes them perfect for colouring parchment work.

The colours are so beautiful, I could sit and stroke them.  I am sure you know what I mean.  I do have one more new set which I will show you another time, which are the Fabel Castell Polichromos.  

 

Both these sets are expensive, but I was lucky enough to find brilliant offers and it would have been rude to refuse them, wouldn't it?

This final parchment picture was actually featured on my blog earlier this week, so I will not say too much about it.  I used three of the Groovi plates to put the design together, and then the crayons to colour lightly.  The backgrounds were from mop up sheets, but they just had the right colours.

I painted the canvas boards with two different shades of the Fresco Chalk paints, and I have become a real fan of those.  I learned some of the ways to use them when I went down to spend time on the Clarity Retreats in Kent last month.

I had hoped to spend some time during the week I was there doing some sight seeing in an area which was really totally new to me.  However, the weather had other ideas, being generally miserable, as you can see from this photo.  I ended up on the Monday morning at the viewpoint at the top of Ashdown Forest.  I am sure that the view is fantastic, but this photo actually shows more than I could actually see.  The clouds just sat down hard on any ground more than about 10 feet above sea level.

I actually gave up on the sight seeing and concentrated on the crafting and meeting up with lovely friends.  Once my session was over, I decided to cut and run, after a night of torrential rain with an appalling forecast.  I will try again next year and look forward to next year.

Meanwhile, I am looking forward to the second WOYWW crop later this year and meeting up with as many of you that can make it.  I will let you get back to Julia now and the links to all the other lovely blogs on show toady, and hope to get round as many of you as possible.

 

Parchment - I love it

If you have seen any of my posts on Facebook, you will know by now that I am totally hooked on parchment at the moment.  It is not a new style for me.  I do not consider myself an expert but I have done a fair bit over the last few years.  Sadly, there do not seem to be any parchment classes anywhere within a reasonable distance, so all that I have learned has been from watching people like Christine Coleman and Tina Cox on Create and Craft, and from YouTube videos, and books etc.

Then Barbara Gray of Clarity Stamps picked up an idea from Maria Simms, and developed a revolutionary system for parchment called the Groovi Plate.  If you want to have a look at it, you will find it here -  http://www.claritystamp.co.uk/Groovi

Several people told me that it would be not good for me, I did not need it as I already did parching.  That idea was so wrong.  I have had a ball with the Groovi system and it has given me loads more ideas that I can play with.  Having been to a whole day workshop with Maria Simms, doing nothing but the Groovi plate, I was even more impressed to see that, no matter what level you are, you can come out at the end with beautiful pieces of work.  Even experienced parchers have really enjoyed using this kit and found uses for it.

This is my latest piece of parchment work, which is a mix of Groovi work, conversion of stamps into parchment.  The trellis and the grasses are done using the Groovi system, while the Blue Tit is a popular Clarity Stamp.

I stamped the bird onto a piece of tracing paper, which I could then flip over and then transfer to the piece of parchment, then added the trellis work around it.  The grasses are on a separate piece of parchment behind the trellis.  I used my ball tools to do the white work and emboss the grasses and the bird.  The colour was added with a combination of Derwent and Spectrum Noir pencils on the reverse of the parchment.  I did repeat the bird to decoupage it on the top of the flat image below.

Then I went through my stash of mop up pieces to find a good background which would show up the parchment best.  (Mop up pieces are created when you spritz the mixture of inks on your blending mat and then swish a piece of card around to pick up what it left - they are all different)  I trimmed the first one to fit the parchment and then found another to tone with it before sticking the whole thing together with brads.

 

I then decided to attach it all to one of the canvas boards which I had used for something else.  After sticking it irrevocably, I decided the colour of the canvas was definitely not right.  Fortunately, I had some new Fresco chalk paints in front of me and this blue turned out to be just what I wanted to pick up the blue in the mop up background.

The final stage was to find another colour to mount the whole thing on, which turned out to be another Fresco chalk paint.

Amazingly, by taking this to show my daughter today, I ended up with a commission from her neighbour to do something along the same lines.  Very gratifying to find that someone would like to buy something you have created.

This is a much better photo taken today on a proper camera.